最准的六合彩论坛

In 2024 the IAS offered a one-off fund to foster research, public engagement and/or innovative pedagogy in any field of critical area studies (CAS). Below you can find details of the recipients and their projects.

• Techno-Urban Atlas: Mapping Inter-Asian Transformations in Hsinchu, Taiwan and Chennai, India
• Imagining 鈥渢he West鈥�: An Interdisciplinary Workshop on the Portrayals of 鈥渢he West鈥� in Eastern Europe
• 鈥�South Asia鈥� + 鈥楳iddle East鈥欌�� + Early Modern鈥� = ?
• Precarity in urban China: surviving in capitalist ruins
• 鈥楾raversing beyond Borders: Intermediality and Cross-Cultural Communication鈥� PG Conference
• Infrastructure Soundscapes
• Children鈥檚 Letters for Palestinian childhoods
• Indigeneity and Art in the Himalayas

---

Techno-Urban Atlas: Mapping Inter-Asian Transformations in Hsinchu, Taiwan and Chennai, India

Dr Pushpa Arabindoo, Geography; Dr Leah Lovett, Centre for Advanced Spatial Analysis,听Bartlett; Richard M眉ller, Geography

The 21st Century has brought about an intensifying entanglement between urbanisms and digital technologies. This relationship presents innovative tools for connection and communication, while simultaneously generating new modes of extraction and marginalisation. However, the costs and benefits of this formulation are not distributed evenly on a planetary or urban level. Many Asian cities, as the epicentres of much of the world鈥檚 techno-industrial transformations, face new challenges and opportunities at this convergence of increasing connection and disarticulation. Two cities in particular, Hsinchu, Taiwan and Chennai, India have come into unanticipated proximity at the centre of these new global flows of material, capital, and labour.听
听

This project will facilitate two public engagement workshops in Chennai and Hsinchu and the creation of a web-based Techno-Urban Atlas to bear witness to and promote inter-Asian comparison regarding the socio-spatial reconfigurations emerging within these urban areas. The workshops will be in collaboration with local cultural organisation partners, the Chennai Photo Biennale and Hsinchu City Art-Site. The workshops will train participants in 3D-scanning methods before venturing on a walking tour through key techno-industrial areas within Chennai and Hsinchu. The participants will 3D-scan sensorial traces, surfaces, and artifacts of the urban landscapes which will then be aggregated into the public Techno-Urban Atlas website.

---

Imagining 鈥渢he West鈥�: An Interdisciplinary Workshop on the Portrayals of 鈥渢he West鈥� in Eastern Europe

Dr Jessie Barton Hronesova, SSEES; Dr Jelena Calic, SSEES; Prof听Eric Gordy, SSEES

The aim of this workshop is to tease out the complicated facets of various contemporary understandings, imaginations, and meanings of the West in the realms beyond its imagined boundaries in Eastern Europe. While much ink has been spilled on debating the western imaginings of the East, this workshop will re-focus the discussion on the West as a political, cultural, and historical entity in eastern imaginations. In a discussion with scholars, artists and media experts, the workshop aims to trace the origins, contents, and changes in the imaginings and representations of the West in Eastern Europe in general, and in the former Yugoslavia in particular. It will also explore the idea of 鈥渄isillusionment鈥� with the West and ponder over the two dominant portrayals of the West: as a value-driven beacon of prosperity and democracy and a neo-colonial, interest-driven, interventionist hegemon to problematize these binary and myopic portrayals. The aim is to discuss the political currency of these representations and explore how integrating scholarly critiques and creative practices can capture both progressive and regressive aspects of Western political interventions.听
听

To be held on 7 June 2024 at SSEES.

---

鈥楽outh Asia鈥� + 鈥楳iddle East鈥欌�� + Early Modern鈥� = ?

Dr Jagjeet Lally, History; Dr Seth Anziska, Hebrew & Jewish Studies, Prof听Tariq Jazeel, Geography

This workshop examines what it means to put a period label derived from Europe鈥檚 historical experience and historiography, together with geographic categories originating in the Cold War West, for the study of places and peoples outside Euro-America. For scholars of Critical Area Studies, more often working on modern topics and problems, this workshop affords an opportunity to engage with historical perspectives broadly conceived 鈥� i.e., those from history, history of art, history of science, theology, geography, anthropology, etc. How do we productively reframe Area Studies once we go deeper into the past and farther from the era that gave meaning to 鈥楽outh Asia鈥� and the 鈥楳iddle East鈥� and manifested these categories in real-life institutions and discourse? For scholars of South Asia and the Middle East, too, this workshop provides an opportunity to rethink categories, not least what has long been a Eurocentric one 鈥� namely, the 鈥榚arly modern鈥�. Can we speak of a 鈥榞lobal鈥� rather than merely a Europe-centred 鈥榚arly modernity鈥�? Where can we locate South Asia and the Middle East in the early modern world at large, and what role(s) did these regions and their inhabitants play in shaping early modernity? And what do such findings offer, in turn, to how we understand the fields of 鈥楽outh Asian studies鈥� and 鈥楳iddle East studies鈥�? This workshop is being organised by the 最准的六合彩论坛 Middle East Research Centre (MERC) and the 最准的六合彩论坛 Centre for the Study of South Asia and the Indian Ocean World (CSSA), and is generously supported by the Institute of Advanced Studies.
听

See event page, 21 June 2024 in the IAS Forum

Image:

---

Precarity in urban China: surviving in capitalist ruins

Dr Alison Lamont, Social Research Institute, IOE; Dr Annabella Massey, Education Practice and Society, IOE

The Chinese city now exists in a time and space where the economy slows, work intensifies, and Xi Jinping鈥檚 鈥淐hinese Dream鈥� of social mobility dims. In this context, urban survival and thriving have become increasingly resource-intensive, and the rise of the 鈥�996鈥� employee (working from 9am to 9pm, six days a week) in the popular imagination is currently being met by the widespread call to 鈥渓ie flat鈥� (tang ping) and to stop fighting for progress, and instead, to make do with indifference and mediocrity at an individual level. As Margaret Hillenbrand (2023) has recently demonstrated, these states of precarity in China鈥檚 urban spaces have been underexplored by scholars. Exploring precarity in Chinese cities can help us scrutinise the 鈥済lobal city鈥� (Saskia Sassen, 1991) with a local eye: international capitalism under state-managed conditions has created particular pressures and responses which call for academic discussion. 听 听
听

This half-day workshop uses Anna Tsing鈥檚 (2015) The Mushroom at the End of the World: On the Possibility of Life in Capitalist Ruins as a gateway to invite participants to explore these local conditions, particularly in connection to the idea that people are currently piecing together lives and meaning in the 鈥渞uins鈥� of capitalism. Tsing鈥檚 concept of capitalist ruins invokes images of what is left behind in the wake of capitalist advancement and reminds us that capitalism has boundaries and externality, domains of non-capitalist experience which capitalism itself scavenges for the accumulation of value. Tsing uses her ethnographic 鈥渁rt of noticing鈥� to illuminate the areas of life from which capitalism scours resources, noting that they are often created within the ruined remains of capitalism鈥檚 own processes.听

We therefore invite researchers to think of their work in China鈥檚 cities and distinct model of capitalism in connection to Tsing鈥檚 notions of 鈥渟alvage accumulation鈥�, and to explore the 鈥渓andscapes of unintentional design鈥� that rapid development leaves behind, while also drawing attention to the global pull of supply chains and markets. Ranging from lived experiences of precarity and informal work and social media livelihoods, to urban exploration, to urban planning policy, through to play and rebellion in the city, the workshop aims to highlight the Chinese city as both a space of precarity and a space made up of creative responses to that precarity.听

To be held on 21 June in the IAS Common Ground

---

鈥楾raversing beyond Borders: Intermediality and Cross-Cultural Communication鈥� PG Conference

Serena Pei, SELCS; Gefan Wang, King鈥檚 College London

Our one-day PGR Conference aims to showcase the research of PGR students from various fields whose work is relevant to the discourse of either 鈥榠ntermediality鈥� or 鈥榗ross-cultural communication鈥�. We will not only explore the interaction between different cultures and languages in world literature, but also discuss the intersection between different forms of media, such as poetry and visual arts, music and literature, especially the artist creations whose inspiration is connected to literary works. The conference also plans to invite artists to participate as panellists and workshop leaders in the spirit of encouraging the collaboration between academia and creative industries.
听

We are enormously delighted to announce that we have invited London-based Turkish artist Merve 陌艧eri to be our keynote speaker, whose creation is based on the unique understanding of immigration, displacement of identity, cross-cultural experience, and memory. For more information about 陌艧eri鈥檚 works, please see her website:

To be held on 31 May in the IAS Common Ground.听View the call for papers

Image credit: 鈥楽ev Kardesim鈥�* (love, sister and brother) by Merve 陌艧eri (2021). Oil, pastel, acrylic, and pigment spray paint on canvas.听* The painting鈥檚 title alludes to the song of the same name by Turkish singer 艦enay.

---

Infrastructure Soundscapes

Dr Igor Rogelja, EISPS; Manca Bajec, Goldsmiths University of London; ZRC SAZU, Research Centre of the Slovenian Academy of Arts and Sciences

Infrastructures defy the human scale with their size, reach and temporal dimensions, yet they underpin much of the modern human experience. By deploying an innovative methodology of a walking seminar, this collaborative project joins infrastructure researcher Dr Igor Rogelja (EISPS) and artist-curator Dr Manca Bajec (Goldsmiths) with an existing research programme hosted by the Research Centre of the Slovenian Academy of Sciences and Arts called "Route Biographies of Istria". We will join ten other researchers and practitioners on a hike through this Mediterranean region's infrastructural "back stage". Exploring questions of visibility and invisibility of infrastructures, the team will spend several days conducting an embodied form of research, thinking and writing. Simultaneously, Dr Bajec will produce a sound-based artistic intervention in conjunction with the rest of the team's work.
听

The artistic intervention will consist of a continuous recording of soundscapes along the route, but also two 'stopping points' in Trieste, where the artist will consider how infrastructures that have lost their original purpose come to occupy a space of cultural identity. Considering the methodological approach of interviewing objects and images, we will be interviewing the buildings in question in relation to the sounds of untold and often repeated histories. The project will produce a soundscape map and essay, hosted on the project鈥檚 digital portal Footnotes.

Presented at IAS in early summer 2024.

Image credit: Silas Capps

---

Children鈥檚 Letters for Palestinian childhoods

Prof听Rachel Rosen, Social Research Institute, IOE; Dr Feryal Awan, Culture, Communicatin and Media, IOE; Osama Al-Azza, Palestinian storyteller and actor

Children's Letters for Palestinian Childhoods brings research insights about Palestine and children鈥檚 lives into conversation with a Palestinian artist from Gaza, to develop and run creative workshops with children in London. The texts and images produced by children in these workshops will be transformed into a public exhibition, centring children and their unique questions and insights to create public awareness and spaces for conversation about Palestine and its transnational meanings and connections.听
听

The project is an extension of Letters for Palestinian Childhoods, which is a response to a global call to action by childhood studies scholars and students, who demanded an immediate ceasefire and called on people to stand in solidarity and counter the dehumanisation of Palestinian children and adults. The result was a coming together of international academics and artists, who used their area studies knowledge to build an online ( / ) and travelling exhibition.

Image credit:听Shelter,听by Malak Mattar (2021)

---

Indigeneity and Art in the Himalayas

Sangita Thebe Limbu, Institute for Risk & Disaster Reduction; Mridu Rai, Anthropology

A new generation of Indigenous artists, educators, and writers have been producing an influential body of work in recent years, which aims to reclaim and represent Indigenous stories, experiences, and marginalised histories in the Himalayas. They also seek to reimagine new futures and possibilities amidst the unfolding climatic and social crises.听
听

Our project aims to bring together artists and researchers from Nepal and India to share their experiences of working on issues of identity and collective rights in the eastern Himalayas. In doing so, we will critically reflect on Indigenous storytelling, knowledge production and methodologies, and the contested discourse on Indigeneity in Asia.听

Through a one-day event comprised of film screening, a shadow play, a photo exhibition and a panel discussion, the project aims to create a safe and collaborative space where artists, storytellers, researchers, community mobilisers can come together to network, learn from one another, and co-produce shared agendas and approaches. 听

Images: video still听from the docufiction Ningwasum. The photo was provided by artist Subash Thebe Limbu.

---