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Flock: Non-Clinical Art Interventions for Wellbeing and Belonging

Flock: Non-Clinical Art Interventions for Wellbeing and Belonging among refugee, asylum seeker and displaced migrant populations.

Black ceramic birds on wooden floor

2 October 2018

骋谤补苍迟听


骋谤补苍迟:听Grand Challenges Special Initiatives
Year awarded:听2018-19
Amount awarded:听拢4,795

础肠补诲别尘颈肠蝉听


  • Humera Iqbal, Department of Social Sciences, IOE
  • Helen Chatterjee, Department of Genetics, Evolution and Environment, Life Sciences
  • South London
  • Maudsley NHS Foundation Trust

As part of 最准的六合彩论坛 Grand Challenge鈥檚 initiative on Migration and Displacement, funding was awarded to Dr Humera Iqbal, Dr Katie Quy, and Professor Helen Chatterjee for the project: 鈥淔lock: Non-Clinical Art Interventions for Wellbeing and Belonging among refugee, asylum seeker and displaced migrant populations鈥. The team at 最准的六合彩论坛 collaborated with artist听,听occupational therapist ,听and colleagues at the听听() to learn more about the effectiveness of non-clinical art-creation based interventions on mental health in displaced migrant populations, and produce two exhibitions showcasing art produced and detailing the journeys of the participants.
Lindsay Swan, PR volunteer for the Grounding Project, reports on the project.

Black ceramic birds on white background

Art by Julie Nelson. Photo by Ben Wright.听

From a distance, the flock of ceramic birds in the Lewisham Arthouse Project Space could be pigeons congregating in search of food. But get closer and each of the 200 plus birds in the Flock Project installation is different, each made by different hands, sometimes working together, each telling a story of loss, migration and, importantly, of hope.

The birds have been made by members of the Grounding project, which supports those with Post Traumatic Stress Disorder, particularly asylum seekers, refugees and displaced people, through therapeutic activities including gardening and crafts. Flock is the creation of artist Julie Nelson and the exhibition is the result of workshops with members of the Grounding group, which started in early 2019 and have included events for Refugee Week at the V&A.

Focusing on birds as a subject for the installation has enabled the participants to express themselves in a subject that is ever present even in the city and Julie鈥檚 inspiration came from starling murmurations. The project has helped to connect participants with the environment, increase awareness of birds and the sometimes difficult journeys they make. Says Julie, 鈥淥ne interesting result of the project has been the diverse styles and forms of birds that have been made. When I鈥檝e researched birds from Ethiopia, Syria and Iraq, for example, I can see where the inspiration comes from. I think that having a common goal of the exhibition has really helped.鈥

鈥淭he workshop has been a focus for people to think about the metaphor of birds and to engage with nature and the environment,鈥 explains Julie. 鈥淲e encourage shared production, so that a clay pinched head may attach to a press moulded body created by someone else in the group.鈥

Man sculpting a ceramic bird

The impact of the Flock project is being evaluated by Dr Humera Iqbal, Associate Professor of Social and Cultural Psychology,听and her colleagues at 最准的六合彩论坛, who supported the Flock Project as part of their Grand Challenges Fund. Some of the benefits noted so far include improved confidence and self-esteem. Working together encourages people to try something new and learn from each other and the joint project connects to other communities.

With social prescribing now high on the political and social care agenda, Flock Project serves as a positive response to current issues on mental health and recovery. Explains Humera, 鈥淲e know from research that participating in cultural activities can improve wellbeing and combat loneliness in individuals. It has been great to witness first-hand the healing power of clay. Our ceramic birds stand for a shared community and a sense of resilience; they have been able to battle the odds, just like their makers.鈥

Working with the clay has been therapeutic for Rita* who suffers from arthritis. It helps her to move her fingers and reminds her of her former home. She spent a lot of time moulding out her bird, explaining, 鈥淧laying with this clay takes me back to my childhood in Africa when we used to pull clay from the rocks and make pots and plates. It was a fun time.鈥

鈥淚 used to have many of these as pets and I know how intelligent they are, 鈥渟ays Daris* who kept homing pigeons back in his country. 鈥淚 am really enjoying learning more about birds and working with the clay鈥.

*Names have been changed

Outputs and Impacts