最准的六合彩论坛

Email: g.dart@ucl.ac.uk External phone: 020 7679 3139 Internal phone: 33139 Office: Foster Court 238 听 听

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Education and Experience听

Gregory Dart spent his undergraduate and graduate years (from 1986 to 1993) at the University of Cambridge. From 1993 he was a lecturer at the University of York, and has been at 最准的六合彩论坛 since 2000.

His first book, the book of his Ph.D, was a monograph on the influence of the French Revolution on the Romantics, Rousseau, Robespierre and English Romanticism, which was published by Cambridge University Press in 1999, and paperbacked in 2005.

His teaching range at 最准的六合彩论坛 focuses on the Romantics and Victorians but also includes twentieth-century literature and film, the eighteenth century, and Shakespeare.

Professor 听Dart has held several administrative posts, including Chair of the Board of Studies and Chair of Examiners. He also supervised and examined a number of PhD theses, both inside and outside 最准的六合彩论坛.

He is currently Chair of the Hazlitt Society, a member of the Charles Lamb Society, and on the editorial board of The Hazlitt Review.

He has also acted as a reader for the Manchester, Oxford, and Cambridge University Presses, Palgrave Macmillan and Peter Lang.

Research Interests

Gregory Dart鈥檚 research, both current and prospective, is centrally concerned with Romanticism, the City, and the history and development of the essay form from Montaigne to the modern period.

The main academic project between 2000 and 2012 was听a monograph called Cockney Adventures (Cambridge University Press, 2012) a study of the development of new kinds of metropolitan art and literature in the years 1815-40.

In 2010 Dart edited a collection of essays, Restless Cities, with his colleague Matthew Beaumont. This included essays by Iain Sinclair, Chris Petit, Esther Leslie, Rachel Bowlby, Geoff Dyer, David Trotter, Iain Borden, Kasia Boddy, and Marshall Berman. He is now working on another collection of city essays with the same colleague.听

For several years now Dart has been working听on three volumes of a new six-volume Collected Edition of the Works of Charles and Mary Lamb, for which he is also General Editor.

This is contracted to be published by Oxford University Press as part of their English Authors series. The three volumes Dart is working on will be Vol. I, Lamb鈥檚 Works of 1818, Vol. IV. the Elia essays, and Vol. VI, the Uncollected Prose.

Vol. II, the Dramatic Specimens and Garrick Extracts, will be edited by Gillian Russell, of York University, Volume III, the Works for Children, by Felicity James, and Volume V, the Later Poetry, by Samantha Matthews.
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Recent publications include a chapter on Beethoven's Fidelio听for Sophie Laniel-Musitelli and C茅line Sabiron's听Romanticism and Time听(2021), an essay on 'The Romantic Essayists and the City' for Karshan and Phillips's OUP collection On Essays听(2020), an essay on 'Practical Criticism听for David Duff鈥檚听Oxford Handbook of British Romanticism (2018), and a chapter on 'Addison and the Romantics' for Paul Davis's听upcoming Oxford collection on Addison.听

In addition to his literary interests, Dart has also written 16听essays for the Royal Opera House, Covent Garden, for use in their programmes, DVDs and online.听

Books

Metropolitan Art and Literature 1810-1840: Cockney Adventures (Cambridge: Cambridge University Press, 2012), pp. 297.
Rousseau, Robespierre and English Romanticism (Cambridge: Cambridge University Press, 1999; pbk. 2005), pp. 302.
Unrequited Love: On Stalking and Being Stalked (London. Short Books, 2003), pp. 160.
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Editions

Ed. with Matthew Beaumont, Restless Cities (London: Verso, 2010).
Guest Editor, Re-imagining the City, Special Issue of Romanticism 14:2 (2008)
Ed. with Critical Introduction, William Hazlitt, Liber Amoris (Manchester: Carcanet Press, 2008).
Ed. with Critical Introduction, William Hazlitt Metropolitan Essays (Manchester: Carcanet Press, 2005).
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Articles and Chapters in Books

'Addison and the Romantics' in Paul Davis's in Addison (OUP,听2021), 'Beethoven: Revolutionary Transformations' in听Sophie Laniel-Musitelli and C茅line Sabiron听eds.听Romanticism and Time听(2021), 'The Romantic Essayists and the City' in听Karshan and Phillips听ed.听On Essays听(OUP,,2020), 'Practical Criticism' in David Duff ed.听Oxford Handbook of British Romanticism (OUP, 2018), 'Rousseau and the Romantic Essayists', in David Higgins and Russell Goulbourne eds.听Rousseau and British Romanticism听(Bloomsbury, 2017).

鈥楧aydreaming鈥� in Restless Cities, ed. Beaumont and Dart (London: Verso, 2010).
鈥楢 World Within Walls: B.R. Haydon鈥檚 Mock Election and Debtors鈥� Prisons鈥�, in Nigel Leask and Philip Connell (eds), Romanticism and Popular Culture (Cambridge University Press, 2009), pp. 214-36.
鈥楽ecret People鈥�, in Philip Horne and Peter Swaab (eds), Thorold Dickinson: A World of Film (Manchester: Manchester University Press, 2008), pp. 203-10.
鈥楥hambers of Horror: De Quincey鈥檚 鈥淧ostscript鈥� to On Murder鈥�, in Daniel Roberts and Robert Morison (eds), Thomas De Quincey: New Theoretical and Critical Directions (London: Routledge, 2007), pp. 186-210.鈥ㄢ��

Articles in Journals

'Lamb's Edition of 1818', Charles Lamb Bulletin, No. 156 (2012)

鈥極n Great and Little Things: Cockney Art in the 1820s鈥�, Romanticism 14.2 (2008): 149-167.
鈥楬azlitt鈥檚 Liber Amoris鈥�, Charles Lamb Bulletin, New Series No. 138 (April 2007): 38-46.
鈥楾he Cockney Moment鈥�, Cambridge Quarterly, XXXII, 3 (September 2003): 203-25.
鈥楩lash Style: Pierce Egan and the Literary Culture of the 1820s鈥� History Workshop Journal 51 (Spring 2001): 181-205.
鈥楬azlitt and Biography鈥� Cambridge Quarterly, XXIX, 4 (December 2000): 338-48.
鈥楻omantic Cockneyism: Hazlitt and the Periodical Press,鈥� Romanticism, 6.2 (2000): 143-160.
鈥楾he Reworking of Ford Madox Brown鈥檚 Work鈥�, Victorian Literature and Culture, 27.1 (Spring 1999): 69-95.