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Insertion, intervention or in-disciplinarity? Contemporary art and the display of ancient Egypt

Whenever twentieth-century modern art or new contemporary artworks are included amongst displays of ancient Egypt, press statements often assert that such juxtapositions are ‘surprising’, ‘innovative’, and ‘fresh’. But contemporary art’s relationship with museums and other disciplines needs to be understood in a longer-term perspective. Pairings of twentieth- and twenty-first-century artistic works with objects of antiquity is an activity that has been undertaken for more than a century in what has been a long period of mutually reinforcing influences between modern/contemporary art, museum display, the art market, and Egyptian heritage. Together, they have decontextualised ancient Egyptian culture and shaped the language and perspectives of scholars, curators, and artists. In this paper, rather than considering how artists have been inspired by ancient Egypt, I will give examples of how more recent art practices have impacted upon the language and discourse of museum representation. Then, using more recent artist engagements , I argue for greater interdisciplinary dialogues between artists, academics and curators as a means of sharing in the critical processes rather than just outcomes of artistic practice.Ìý

Alice Stevenson is Professor of Museum Archaeology at the ×î×¼µÄÁùºÏ²ÊÂÛ̳ Institute of Archaeology. She was formerly Curator of the Petrie Museum of Egyptian and Sudanese Archaeology and Researcher in World Archaeology at the Pitt Rivers Museum. Her recent research on the relationships between museum archaeology and contemporary art was funded through a British Academy mid-Career Fellowship. She is author of books such as Scattered Finds: Archaeology, Egyptology and Museums (2019, ×î×¼µÄÁùºÏ²ÊÂÛ̳ Press), editor of The Oxford Handbook of Museum Archaeology (2022, OUP) and co-editor of the journal Museum Anthropology.Ìý

This in-personÌýtalk is free and open to all, register for the eventÌývia the booking link above or by emailingÌýnastassja.simensky.20@ucl.ac.uk.

The examines the varied ways in which archaeology, heritage and art converge across a broad range of concepts and practices, from artistic interventions in the museum space to archaeological interpretations which deploy and take inspiration from contemporary art.

The IAS ForumÌýis room G17, on the ground floor of the South Wing.ÌýIt is step-free / wheelchair accessible.